| 6 WEEK FILM & DIGITAL | 6 WEEK ADVANCED HI-DEF | 4 WEEK FILM | 4 WEEK DIGITAL |
| 3 WEEK FILM | 3 WEEK DIGITAL | 1 WEEK DIGITAL | WEEKEND FILM |
• Harvard University
• Yale University
• Universal Studios, Hollywood
• Disney Studios - Florida
• Paris, France
• Florence, Italy
• London, England
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3-Week Filmmaking Camp
"A WHIRLWIND OF HANDS-ON FILMMAKING WHERE YOU WRITE, SHOOT, DIRECT, AND EDIT THREE OF YOUR OWN SHORT FILMS."
Format
Both the Three-Week Film and the Three-Week Digital programs are structured around the production of two short films of increasing complexity.
Students attend class either in the morning or afternoon Monday through Friday, and shoot their films with supervision during the other half of each day. Weekends are reserved for writing, relaxation, and organized trips and activities.
Each student writes, directs, shoots and edits his or her own films using Arriflex S 16mm cameras (in the Film Camps) or digital video cameras (in the Digital Camps), Lowel lighting packages, and Final Cut Pro digital editing systems. Hands-on classes in directing, writing, editing, cinematography, and production cover all the creative and technical demands of telling a story with moving images. Students’ films are screened and critiqued throughout the programs as they are completed.
Crews & PROJECTSStudents work in four person crews to complete each film. Every student directs two films. When their colleagues direct, students rotate among the key crew positions.
Every week is devoted to writing, producing, directing, and editing a different film project. The first film focuses on continuity and the second film of up to four minutes with a music track.
At the end of the course, the final films are celebrated in a screening open to cast, crew, friends and family. All students who successfully complete the workshop will receive a New York Film Academy Diploma.
FILM 1: The Cut (Both Film & Digital Students)Continuity is one of the fundamental principles of modern filmmaking. Students are challenged to make a film that maintains continuity in story, time, and space. Utilizing a variety of shots (10-15) in a continuous sequence, the action in these films should unfold seamlessly with no disorienting jumps in time or space.
FILM 2: Music & Image (Film Students Only)The second film introduces students to the relationship between sound and film, as well as to narrative tools like montage and jump cuts. Each student begins with a short continuous selection of music. In the editing room, they cut their images to work in concert with, or in counterpoint to, the sound.
FILM 2: The Digital Factor (Digital Students Only)Students will explore the unique properties of the digital format. Students will plan their projects meticulously, and then improvise and utilize the best aspects of the digital medium. The light weight of the camera makes for great ease of hand-held camera movements. Low light level shooting is possible in such a way that the camera can record very sharp images in a wide variety of environments. Students will take their digital cameras in to places where film cameras and film crews would not have easy access. Experimentation in the editing room will be encouraged as students explore the advanced functionality of Final Cut Pro.
Please note: curriculum, dates, prices subject to change.
DATES / TUITION