BROADCAST JOURNALISM
for the 20th cetury
nbc logo

       4-WEEK WORKSHOP
      IN AFFILIATION WITH

NBC's Brian Williams sits down with New York Film Academy's broadcast journalism students at NBC News at
30 Rockefeller Center
NBC's Tom Brokaw speaks to
New York Film Academy's broadcast journalism students at NBC News at
30 Rockefeller Center
ONE-YEAR PROGRAM

Tuition: $17,000 (USD) Per Semester
         €12,607 (EURO) Per Semester
Click here for Program Overview

APPLY ONLINE
Click here for online application
DOWNLOAD A PDF VERSION
Click here for PDF application
8-WEEK WORKSHOP

Tuition: $ 5,800 (USD)* / € 4,301 (EURO)
*As of July 7, tuition for this workshop will be $6,500. All applications received on July 7, or later, will be processed with the new tuition fee.
Click here for Program Overview

4-WEEK WORKSHOP

Tuition: $ 3,500 (USD)* / € 2,595 (EURO)
*As of July 7, tuition for this workshop will be $4,000. All applications received on July 7, or later, will be processed with the new tuition fee.
Click here for Program Overview

EVENING WORKSHOP

Tuition: $ 5,000 (USD) / € 3,708 (EURO)
Click here for Program Overview

This course carries 4 credits.
All degrees and credits are awarded solely by the New York Film Academy west coast headquarters at
Universal Studios, Los Angeles, California.

4 WEEK WORKSHOP OVERVIEW

In this workshop, through study and hands-on practice, students are trained in the fundamental principles, techniques, and craft of contemporary journalism. This is accomplished through a combination of lecture, demonstration, in-class hands-on production, and the students’ own work.

Each student produces news projects, shot with single-camera set-ups edited on Final-Cut Pro. This intensive workshop provides a strong introduction to necessary digital and journalism skills.

PROJECTS

As producers, students have to identify and make arrangements for their subjects, choose and secure locations, prepare equipment, arrange the preparation and set up of the locations, and make final technical checks. Student journalists are required to edit and deliver their projects for viewing and critiques. Projects to be completed are:

VO
VOSOT

In the VO project students use video and natural sound to help tell a story. Each student chooses a topic, shoots video, writes copy, narrates and edits a 30 second segment.

The VOSOT is comprised of video, the natural sound associated with that video and a short sound bite to tell a story. The video rolls over the anchorman or reporter speaking and then opens up full for the sound on tape (SOT). Students shoot their own footage, conduct interviews, write, narrate and edit the VOSOTS. Completed projects run approximately 45 seconds.

VOSOT WITH STAND-UP
THE NEWS PACKAGE

Students learn introductory techniques of “stand-ups.” The stand-up, the on-location appearance of the reporter on camera, will be written, taped and added to the VOSOT.

A package is an individual stand-alone news segment that airs within a broadcast or webcast.

Each student introduces a newsworthy idea, presents the story as a “pitch,” edits his or her visuals (video, graphics, etc.) and interviews with a narration. The News Package runs approximately 2 minutes in length.

CLASSES
BROADCAST JOURNALISM
HANDS - ON CAMERA AND LIGHTING

This course is the spine of the program and encompasses the principles and foundation of news-gathering and production. All student projects are introduced in class and it is the venue where they are viewed and critiqued. Topics include: writing, story ideas and development, research, basic reporting, producing and directing single camera shoots. Classes are geared towards preparing students for their own productions.

Functions, operation, and use of the HD digital video camera and associated equipment. Students train to shoot in the field. Students learn to operate professional cameras and production equipment enabling them to technically execute single-camera productions and understand the necessities of a variety of shooting environments and conditions. Lighting is a key element in this class, and students will learn basic three-point lighting techniques.

HANDS - ON AUDIO
PRODUCTION WORKSHOP

Students learn to record in a multitude of situations. Training encompasses wireless and boom microphone techniques.

In these teacher-supervised labs, the process of directing, shooting, and sound recording for news projects is put into practice. Each workshop is an opportunity for students to implement and examine, in a controlled environment, the techniques they are learning in class.

Prior to the execution of their individual projects, students meet with the Production Workshop instructor for review of their preparation. Required materials may include scripts, location details, and shooting schedule.

EDITING SPECIAL TOPICS

Students train on the non-linear editing system, Final Cut Pro. They are introduced to the fundamental editing tools and techniques using this software. Students edit their own projects, and can supplement classes with individual consultations at the editing station. Students are taught to edit non-fiction material, both practical and aesthetic. Topics include editing terminology/vocabulary, time code, cutting styles, organizational tools and rules for editing, and building the story in post.

This class addresses subjects of specific relevance to the outside projects. Topics include story structure; writing commentary; rights, ethics and law; broadcast studies.

Special note: The Four-Week Workshop is an introductory course and the limitations of such a short-term workshop should be apparent, give that people may spend years studying this craft.

*Courses are subject to change


For further information please email Senior Director, David Klein (david@nyfa.edu).

BACK TO TOP